Swick’s bubbly productions are meticulously sound-designed from the ground up, built for a dancefloor packed with staccato gun fingers but with a depth that extends far beyond it.
Across more than a decade carving his own path he’s worked with icons from across the globe: baile funk don MC Bin Laden, Syrian club king Omar Souleyman, and the one and only M.I.A.

Swick has built an arsenal of club releases on influential labels worldwide, including Mad Decent, A-Trak‘s Fool’s Gold, Buraka Som Sistema‘s Enchufada, Skrillex’s Nest HQ, alongside collaborations with artists such as King Doudou, Kito and Astronomar.

In 2013 he released a collaborative EP with Diplo titled ‘Keep It Gully’ on Mad Decent, with the b-side ‘Dat A Freak’ becoming the basis for Jennifer Lopez’s single ‘Booty’ which features Iggy Azalea and Pitbull – a certified platinum record in the USA.

His touch has been a huge part of the magic behind NLV Records. Swick produced the entirety of Kota Banks’ cult Prize mixtape, has collaborated extensively with Gold Fang, Big Skeez, Geoblu and Ethiopian multifaceted artist Olana, and his team-up club tracks with label founder Nina Las Vegas are always singularly special. His solo work on the label has been just as distinctive. Across releases Stamina and Court Composer, Swick has built his own playful, detailed take on club music.

His production catalog has grown into a highly sought-after sound for artists around the world, including Tkay Maidza, Big Zuu, Spank Rock, Kamakaze, Ms. Nina, Capo Lee, Manga Saint Hilare, Duppy, LYAM, Sweets, Lilla Namo, Kamohelo and more. He’s also brought his distinctive club sound to official remixes for Charli XCX, Omar Souleyman, Anna Lunoe, DoloRRes, JUPiTA and more.

Swick has continued his deep, ongoing creative partnership with M.I.A. contributing to her 2022 album MATA and playing a major role in 2026’s M.I.7.

Most recently, Swick has further expanded his work as a sonic architect into multidisciplinary projects, collaborating with Sydney visual artist Kris Andrew Small on a series of animated audio-visual works exhibited in London and Japan.

In addition to this new work, 2026 has seen Swick continue to build on his own music and DJing. From Digi Mangal, his collaborative EP with King Doudou, to ‘Shot Caller’ with Nina Las Vegas and Zanillya, plus a new single with UNIIQU3, he continues to carve out a space entirely his own.

In an ever-shifting musical landscape, Swick remains a rare constant behind the decks or in the studio, combining sounds, blurring lines and finding new ways to make them move. Swick has no care for genre, but respect for all.